there will be blood: into the void

Jeremy Richey over at Moon in the Gutter has been hosting a fabulous Paul Thomas Anderson blog-a-thon for over a week now.  He invited me to contribute and you can now read my short essay about Anderson’s There Will Be Blood.  And after you do that, make sure to check out all of the thoughtful, splendid essays from the other contributors.

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pt anderson blogathon @ moon in the gutter

My film blogging comrade over at Moon in the Gutter, Jeremy Richey, is hosting a P.T. Anderson blogathon September 13-19 and it will no doubt be an entertaining, exciting event.  I’m contributing an essay–not sure which film I’ll be focusing on yet–and I can’t wait to see what everyone comes up with.  I wrote a short piece about Anderson’s Punch-Drunk Love in my first book, a film that is (I feel) one of the best of the last decade and a rather damn fine romantic comedy at that, so there’s always the temptation to revisit it… maybe do some screengrabs or something.  But I’ve been dying to write about There Will Be Blood since I saw it in January 2008 the day before I left for Europe and then watched again in the Leitrim Cinemobile when I was living in Ireland.  Seriously, some enterprising cinephiles in the States need to bring cinema to the masses with trucks like these.  They’re great.  And they’re warm too, which was surprising since it’s always so damn cold in Ireland year round!  Also, the cool thing about the Leitrim Cinemobile was that it would screen international films and smaller indie fare from the States… not blockbusters.  This was out in the boondocks, mind you.  We didn’t live in the city.  And these were real 35mm prints, not DVDs or digital projections.  Real films, real patrons in seats, and loads of arguments afterward as you scurried down the pub for a few pints.  Make sure to check out the video below that gives you a glimpse of how cool the Leitrim Cinemobile is.  But I digress.

P.T. Anderson.  Blogathon.  Moon in the Gutter.  That has Awesome all over it.

directory of world cinema: american independent and sinescope

It’s been pretty busy around these parts and as the summer crawls forward… it’s only going to get busier as the Terry Gilliam book gets finished and a new book project gets started.  I’m not going to say anything publicly about the latter thingy… but it’s exciting and in time I can be more open about it.

First off, I noticed this evening that my comrade from across the pond, UK film academic/editor/writer John Berra, has been interviewed by Jeremy Richey over at his fabulous site Moon in the Gutter.  I was fortunate to have been able to contribute a number of reviews (and an essay on Yakuza cinema) to both of the books that Berra edited (when not teaching film studies at Sheffield Hellam University), Directory of World Cinema: Japan and Directory of World Cinema: American Independent (both published by Intellect).

The book on Japanese films is now available in the UK and will soon be available in the US.  The American Independent book can now be pre-ordered here.

I also want to mention a project that I’m very happy about.  I’m now a contributing editor and resident film critic at the online arts journal Sinescope.  The site just went up Sunday evening and… well, it’s just getting started.  Plenty of wonderful essays already up over there–including my own piece on Quentin Tarantino’s war epic Inglourious Basterds–and I also have a film-oriented blog (He Watched by Night) there too which will include DVD/Blu-ray, theatrical, and movie biz items.  And if you head over there you can read my reviews of the recent superb Criterion Collection releases Roberto Rossellini’s War Trilogy and Steve McQueen’s remarkable feature-film debut Hunger.

Whew!  Sorry for the self-promotion, but I really wanted to mention those nifty things.  We now return to regular programming…

charlie kaufman film poll

Over at the always interesting Moon in the Gutter blog, Monsieur Richey is holding a Charlie Kaufman film poll in honor of the tenth anniversary of the Kaufman/Spike Jonze feature Being John Malkovich… our first real encounter with these (still) extraordinary filmmakers.

So head on over and vote.  I’m curious to see what the results are myself.  I’m choosing Eternal Sunshine of the Spotless Mind and Synecdoche, New York for my two faves.  Who’s with me?!